The Invite
Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton in “The Invite.” Photo via IMDb.com New York Times columnist Maureen Dowd has me rethinking my review of “The Odyssey.” With the ink barely dry on her 2023 Columbia University master’s degree in literature, she joins the classicists taking issue with writer-director Christopher Nolan’s version. It’s not just the absence of the gods in his retelling of the Greek epic. It’s the absence of SEX. The whole horny subtext is missing, Maureen complains. All of the randy coupling among humans and deities. She’s happy to do the lit-major strut, name dropping her way through the deleted erotic scenes. She reminded me that my own experience of “The Odyssey” and its companion “The Iliad” pretty much took place in junior high school, when I wouldn’t have gotten the sex parts anyway. Looks like I might have to check out Emily Wilson’s translation of “The Odyssey” that Nolan based his screenplay on. Actually reading a classic … what a...